20 καταπληκτικοί διάλογοι από ταινίες

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Κατά καιρούς έχουμε δει πολλές μεγάλες ταινίες με προσεγμένα πολλά από τα στοιχεία τους, εντυπωσιακά σκηνικά και γενικότερα πολύ χρήμα και κόπο, ωστόσο αναμφίβολα υπάρχει ένα από αυτά που ξεχωρίζει πολλές φορές.

 

Όπως βλέπουμε και στο παρακάτω βιντεάκι από το Taste Of Cinerama, οι μεγάλες ταινίες μπορεί να έχουν φροντίσει για όλα ωστόσο οι εξαιρετικοί διάλογοι είναι εκείνοι που κάνουν την διαφορά και κατάφεραν να αποτελέσουν μερικά από τα highlights τους.

  • Aπλά σας παραθέτουμε τους αντίστοιχους διαλόγους και καλό είναι να δείτε ολόκληρες τις ταινίες μιας και είναι όλες ξεχωριστές και δεν πρέπει να τις χάσετε:

20. My Dinner with Andre

– Andre: “Our minds are just focused on these goals and plans, which in themselves are not reality.”

– Wally: “Goals and plans are not… they’re fantasy. They’re part of a dream life.”

19. Manhattan

Tracy: “You have to have a little faith in people.”

18. The Third Man

Harry Lime: “Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long, Holly.”

17. Goodfellas

Tommy DeVito: “No, no, I don’t know, you said it. How do I know? You said I’m funny. How the fuck am I funny, what the fuck is so funny about me? Tell me, tell me what’s funny!”

Henry Hill: [long pause] “Get the fuck out of here, Tommy!”

T: [everyone laughs] “Ya motherfucker! I almost had him, I almost had him. Ya stuttering prick ya. Frankie, was he shaking? I wonder about you sometimes, Henry. You may fold under questioning.”

16. Hunger

Father Dominic Moran: “I want to know whether your intent is just purely to commit suicide here.”

Bobby Sands: “You want me to argue about the morality of what I’m about to do and whether it’s really suicide or not? For one, you’re calling it suicide. I call it murder. And that’s just another wee difference between us two. We’re both Catholic men, both Republicans. But while you were poaching salmon in beautiful Kilrea, we were being burnt out of our house in Rathcoole. Similar in many ways, Dom, but life and experiences focused our beliefs differently. You understand me?”

15. Casablanca

Ilsa: “But what about us?”

Rick: “We’ll always have Paris. We didn’t have, we, we lost it until you came to Casablanca. We got it back last night.”

I: “When I said I would never leave you.”

R: “And you never will. But I’ve got a job to do, too. Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of. Ilsa, I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Someday you’ll understand that.”

14. No Country for Old Men

no-country-for-old-men

A man comes through the door of the little store attached to your gas station. You just had your morning coffee that got you ready for facing any shenanigans the day might throw at you. You ask this man if people are getting any rain in the place where he’s from; your mean nothing by it, you’re just trying to make conversation with an unexpected passerby, but the stranger with the weird haircut is a little paranoid.

You don’t want any trouble, but this individual’s attitude is strange and hostile. He starts asking a few personal questions that sound more like threats in disguise.

You’re still a bit puzzled by the whole situation when he flips a coin in the air and stops it on the counter, covering it with his hand. He says “call it” and his face contracts in a way that you don’t like at all. The gentleman starts talking about how that coin traveled 20 years to get to this moment, to this destined coin toss. You’re done enduring any more craziness in your establishment and finally call it: “Heads, then”. He removes his hand, letting Washington’s face on sight: “Well done” he says, and hands you the quarter claiming that you shouldn’t put it in your pocket, because it’s your lucky quarter.

It’s amazing how this guy thinks that he’s just facing a random loon that got into his store, is clueless about the fact that he was just about to die, and everything depended on that coin toss. Javier Bardem’s character seems to think that he’s a sort of cosmic justice maker, and his intimidation abilities are unmatched.

Bardem’s performance is what gives credibility to this whole random deadly dialogue scene in the middle of the desert. He truly acts like the most dangerous psychopath in the world.

The rhythm of the scene is responsible for building up the tension. Although it’s his store, we see how the owner feels trapped by the stranger’s words, how he’s cornered behind the register as every sudden cut (in this, the Coen’s signature shot-reverse-shot) makes us fear the next one.

Best lines: Gas Station Proprietor: “I didn’t put nothin’ up.”
Anton Chigurh: “Yes, you did. You’ve been putting it up your whole life you just didn’t know it. You know what date is on this coin?” G: “No.” A: “1958. It’s been traveling twenty-two years to get here. And now it’s here. And it’s either heads or tails. And you have to say. Call it.”
G: “Look, I need to know what I stand to win.”
A: “Everything.”

13. The Social Network

Erica Albright: “You are probably going to be a very successful computer person. But you’re going to go through life thinking that girls don’t like you because you’re a nerd. And I want you to know, from the bottom of my heart, that that won’t be true. It’ll be because you’re an asshole.”

12. The Thin Red Line

Capt. James ‘Bugger’ Staros: “I’ve lived with these men, sir, for two and a half years and I will not order them all to their deaths.”

11. Birdman

Mike Shiner: “Okay, just stay with me. ‘I’m the wrong person to ask,’ he says, but what is that, what is the intention in that? Is he fed up with the subject so he’s changing it, is he deflecting guilt over the marriage? And here’s the thing, you’ve got four lines after that that all say the same thing. ‘I didn’t even know the man, I only heard his name mentioned in passing, I wouldn’t know, you’d have to know the particulars…’ The point is, you don’t know the guy, we f – king get it. Make it work with one line: ‘I didn’t even know the man.’ Right?”

Riggan: “Right. Yeah. You know my lines too, huh?”

M: “Can we not get hung up on knowing lines?”

10. Breathless

Patricia Franchini: “Do you know William Faulkner?”

Michel Poiccard: “No. Who’s he? Have you slept with him?”

9. Dancer in the Dark

Selma: “You like the movies, don’t you?”

Bill Houston: “I love the movies. I just love the musicals.”

Selma: “But isn’t it annoying when they do the last song in the films?”

B: “Why?”

S: “Because you just know when it goes really big… and the camera goes like out of the roof… and you just know it’s going to end. I hate that. I would leave just after the next to last song… and the film would just go on forever.”

8. The Dark Knight

The Joker: “Don’t talk like one of them. You’re not! Even if you’d like to be. To them, you’re just a freak, like me! They need you right now, but when they don’t, they’ll cast you out, like a leper! You see, their morals, their code, it’s a bad joke. Dropped at the first sign of trouble. They’re only as good as the world allows them to be. I’ll show you. When the chips are down, these… these civilized people, they’ll eat each other. See, I’m not a monster. I’m just ahead of the curve.”

7. Dead Man Walking

Matthew Poncelet: “You ever get lonely?”

Sister Helen Prejean: “Yeah, Sure. Sometimes on Sundays when I smell the neighborhood barbecues, and I hear all the kids laughing and I’m sitting in my room (laughs) I feel like a fool.”

6. The Seventh Seal

Antonius Block: “We must make an idol of our fear, and call it god.”

5. The Godfather

Bonasera: “How much shall I pay you?” [The Don turns away dismissively, but Bonasera stays on]

Don Corleone: “Bonasera, Bonasera, what have I ever done to make you treat me so disrespectfully? If you’d come to me in friendship, this scum who ruined your daughter would be suffering this very day. And if by some chance an honest man like yourself made enemies they would become my enemies. And then, they would fear you.”

B: “Be my friend… Godfather.”

4. Pulp Fiction

Mia: “Don’t you hate that?”

Vincent: “What?”

M: “Uncomfortable silences. Why do we feel it’s necessary to yak about bullshit in order to be comfortable?”

V: “I don’t know. That’s a good question.”

M: “That’s when you know you’ve found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence.”

3. Inglourious Basterds

Col. Hans Landa: “If a rat were to walk in here right now as I’m talking, would you treat it to a saucer of your delicious milk?”

Perrier LaPadite: “Probably not.”

C: “I didn’t think so. You don’t like them. You don’t really know why you don’t like them. All you know is you find them repulsive. Consequently, a German soldier conducts a search of a house suspected of hiding Jews. Where does the hawk look? He looks in the barn, he looks in the attic, he looks in the cellar, he looks everywhere *he* would hide, but there’s so many places it would never occur to a hawk to hide. However, the reason the Führer’s brought me off my Alps in Austria and placed me in French cow country today is because it does occur to me. Because I’m aware what tremendous feats human beings are capable of once they abandon dignity.”

2. The Master

Lancaster Dodd: “Do you love Doris?”

Freddie Quell: “Yes.”

L: “Is she the love of your life?”

F: “Yes, sir.”

L: “Then why aren’t you with her?”

F: “I don’t know.”

L: “Yes you do. Tell me why you are not with her if you love her so much.”

F: “I told her I’d come back and I never went back and now I just… I gotta get back to her.”

L: “Why don’t you go back?”

F: “I don’t know.”

L: “Close your eyes. Starting now, you are not to blink. If you blink we go back to the start.”

1. There Will Be Blood

Eli Sunday: “If you would just take…”

Plainview: “You lose.”

E: “…this lease, Daniel…”

P: “Drainage! Drainage, Eli, you boy. Drained dry. I’m so sorry. Here, if you have a milkshake, and I have a milkshake, and I have a straw. There it is, that’s a straw, you see? Watch it. Now, my straw reaches acroooooooss the room and starts to drink your milkshake. I… drink… your… milkshake!”

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